Oops I Did It Again Backwards
| Oops!... I Did Information technology Over again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the 2nd studio anthology by American vocalist Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More than Time (1999), it is a pop, dance-pop, and teen popular record, the album incorporates a more funkier and R&B sounds. [1] Contributions to the album's production came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[two]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The anthology became a massive commercial success, debuting at number i in over twenty countries while peaking inside the top five in diverse other. In the Usa, it debuted at number i on the Billboard 200, with get-go-week sales of 1.39 million copies, becoming the fastest selling album by a female person creative person since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[three] This record was broken fifteen years after by Adele'south 25, which sold over 3.38 million copies in its get-go week of release.[four] It became Spears' 2d consecutive anthology to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the Us, making Spears at historic period eighteen the youngest artist to accept multiple diamond albums.[5] With worldwide sales of over 20 million copies,[half-dozen] Oops!... I Did It Again is 1 of the acknowledged albums of all-fourth dimension.
Four singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the The states Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, within the tiptop ten in Commonwealth of australia, Kingdom of belgium, Canada, Denmark, Ireland, Italian republic, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United kingdom, and peaked at number xi on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its final single, "Don't Permit Me Exist the Concluding to Know", was moderately successful on the charts, peaking at number 1 in Romania, and within the top ten in Republic of austria, Poland, and Switzerland, but failed to chart on the Us Billboard Hot 100. To promote the album, Spears performed on several tv set shows and laurels ceremonies, including a controversial functioning at the 2000 MTV Video Music Awards. She besides was the host and musical invitee for the first fourth dimension on Sabbatum Nighttime Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did Information technology Again Bout, starting on June 20, 2000 and catastrophe at the Rock in Rio festival on Jan eighteen, 2001.
Recording and product [edit]
"When I did the get-go anthology, I had just turned xvi. I hateful, when I look at the album encompass, I'm like, 'Oh, my lordy.' I know this adjacent album'due south going to be totally dissimilar--particularly the material. I just got finished recording the get-go six tracks in Sweden 2 months agone, and the material is so much more funkier and edgier. And, of course, it'due south more than mature because I've grown as a person too."
—Spears on the progression of her material for the album.[vii]
After vacationing for six days following the completion of the ...Baby Ane More Time Tour in September 1999,[8] Spears returned to New York City to brainstorm recording songs for her side by side album; the bulk of the recording took place in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (after covered past Gareth Gates), "What U See (Is What U Become)", and "Don't Go Knockin' on My Door" were the starting time to be recorded at Martin's Cheiron Studios in the first week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Allow Me Be the Last to Know" at Robert Lange'due south villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby Ane More Time. "Daughter in the Mirror" and "Tin can't Make You lot Love Me"'south instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to tape Diane Warren'south "When Your Eyes Say Information technology" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "I Buss from You" was also recorded at Battery Studios merely was later finished at 3rd Flooring in New York City. Spears also recorded the last track for the album "Dear Diary" which would later be completed at Due east Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later on attention the 42nd Annual Grammy Awards.[xiii] [14]
By January, the so-untitled album was halfway to completion; Spears had worked on it primarily in the United states and Sweden, and finalized textile in New York City.[9] She was heavily pressured subsequently ...Baby One More Fourth dimension 'southward huge commercial success, stating: "It'due south kind of difficult following ten million, I have to say. Just afterwards listening to the new cloth and recording it, I'm really confident with it."[15] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there's some pressure", and added: "Simply in my opinion, [Oops!] is a lot amend than the offset album. It'south edgier – it has more of an attitude. Information technology'south more me, and I retrieve teenagers volition relate to it more than." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Once more less than a year and a one-half afterward Spears' debut amounts to "very smart timing. My philosophy is when you take a immature fan base, become 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Again was considered every bit a sequel to Spears' debut anthology, ...Baby 1 More than Fourth dimension (1999),[1] percolating with a carefully measured blend of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the anthology has a more mature, R&B-flavored pop sound. "It'south not something I changed purposefully", Spears said of the album'south sound and added: "Information technology's just something that kind of changed on itself with me being older. My vocalism has inverse a little bit and I'm more confident, and I call up that comes across on the material."[7] 1 of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "It has flavors of the original, but it'south a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to love it. And I made information technology so new and young that the young kids that love Britney are going to honey it. It's going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the vocal, it's and then pure and delicate. It's merely one of those songs that pull you in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if you really listen … they're more than of what I can relate to, 'crusade they're kind of immature lyrics, I remember. I don't recall Shania would probably sing some of the words that I'm saying."[18]
The title rail and opening vocal, "Oops!... I Did Information technology Again", was compared to her debut single, "...Baby One More Fourth dimension" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, yous think I'm in love/That I'm sent from above — I'm not that innocent."[xix] The song likewise breaks down for a spoken-give-and-take interlude, involving a line from the motion picture Titanic (1997).[19] The 2d track "Stronger" is a synthpop[20] and R&B-infused rail,[xviii] which is lyrically a proclamation of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Babe Ane More Time".[18] Another R&B-infused track, which also adds a bit more than funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakup.[21] The fourth track, a comprehend of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the vocal into an urban stomp.[22] The dance-pop version too jettisons the song'south final verse and adds some new lyrics[xviii] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my thought [to tape the song]", Spears said. "I was simply like, 'I like this song,' and I retrieve it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[24] The fifth rail, "Don't Let Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who too produced the track.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a chip of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... but I need to hear it straight from y'all", she sings.[18]
The sixth runway "What U Meet (Is What U Become)" demands respect past rebuking a jealous partner,[21] while the 7th track, "Lucky", is a heart-rending tale of a Hollywood starlet'south loneliness, proving that fame can exist empty.[21] "If there'south nothing missing in my life/Then why do these tears come at night?", she asks.[20] "School crush" is the theme of "One Buss from You",[21] a rails that has a reggae-fashion beat and lyrics about the feelings of falling in love, and the quickness of it,[25] with Spears cooing that after only ane kiss she sees her entire future with her lover.[26] The carol "Where Are You At present" talks about wanting to know where a previous dear is, and what that person is up to, so that she can finally let them go and notice closure.[ citation needed ] Lines on "Tin't Brand You Love Me", a Europop song,[22] state that fancy cars and money pale in comparing to true love,[21] with Spears singing: "I'g simply a girl with a beat out on you lot."[22] The mid-tempo, synth-backed "When Your Eyes Say Information technology", written by songwriter Diane Warren, combines a string department with a loping hip hop shell,[xviii] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to get "so much more friends" with a boy.[18]
Release and promotion [edit]
In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italia, she did a curt interview on the television bear witness TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May xiii.[27] In Espana, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at big venues in the United kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusque U.k. outing in October 2000.[28]
Oops!... I Did It Again was first released in Japan on May three, 2000, and was later released in the Us on May 16. In the The states, Spears appeared on Sabbatum Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[29] On May 10, she was interviewed on Late Dark with Conan O'Brien.[27] On May 13, Spears was both the host and musical invitee on NBC's Saturday Dark Live. She also performed on NBC's The This night Prove with Jay Leno on May 23.[30] Spears' held her mail service-TRL listening political party, "Britney's First Listen", on May 16, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at 3:30 p.thousand. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at apex.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was circulate on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a embrace of the Rolling Stones's hit single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released earlier that year. While she began her segment in a black adjust, she shocked the audience and the media while, at simply the age of xviii, ripped information technology off to display a revealing, flesh-colored phase outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Sunday then she could tape a Fox television special titled Britney Spears in Hawaii. The costless concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Trick concert event was intended to serve as a preview of Spears' Oops!... I Did It Again anthology that features her twelve new songs.[34] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did It Over again, and on May 2, she had a press upshot at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was too among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.grand. (ET/PT).[36] She was as well expected to appear on a Grammy-solar day TRL.[36]
The album'south supporting tour, the Oops!... I Did It Over again Tour, visited Northward America, Europe, and Brazil every bit role of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own vocal for the brand chosen "I've Got the Urge to Herbal" that was featured in threescore-second radio spots and was part of a pre-concert video presentation for Spears'south 50-city summertime concert tour, in which Herbal Essences was the bout sponsor.
Singles [edit]
"Oops!... I Did It Again" was released equally the lead single from the album and achieved worldwide popularity. It became Spears's third top-x hit single on the The states Billboard Hot 100, peaking at number nine; still, in comparison to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did Information technology Once more" a small-scale disappointment.[38] The song peaked at number one on the United states Mainstream Top 40,[39] holding the record for the about radio additions in 1 day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the end of Titanic.[41]
The anthology's 2nd unmarried, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered 1 of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the United kingdom Singles Chart.[42] In the Usa, "Lucky" merely managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears every bit the narrator and an extra named Lucky, who is a melancholy motion picture star and shows her conflicted relationship to fame.[43]
The third single, "Stronger", was released on Oct 30, 2000 and became the anthology's 2nd highest-charting unmarried in the United States, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[38] It reached number vii on the UK Singles Chart.[44] Its music video sees Spears catching her young man adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson's video for "The Pleasure Principle".[45]
The quaternary and terminal single, "Don't Permit Me Be the Final to Know", was released on March 5, 2001 and is i of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Top twoscore. Even so, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the top ten in Austria, Poland and Switzerland, while just missing the meridian ten in Germany, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered also racy at the time, portraying Spears in honey scenes with her fictional boyfriend, played by French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Optics Say It" was released in the United Kingdom in Jan 2001.[ commendation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'southward Consumer Guide |  [fifty] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/ten[52] |
| NME | 8/10[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did It Over again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that fabricated '1 More Time'," but remarked that, "Fortunately, she and her production team not only have a stronger overall set of songs this time, only they besides occasionally get carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the anthology grapheme apart from the well-crafted dance-pop and ballads that serve as its centre. In the cease, it's what makes this an entertaining, satisfying listen."[i] Billboard mag wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't exist conjured with a drinking glass-shattering notation," praising the album for consistently cast[ing] Spears equally a young woman coming to terms with her inner power—and that's a darn good bulletin to offering an impressionable audience."[17] Entertainment Weekly's David Browne gave the album a B-rating, writing that the anthology "reminds us once over again that the all-time new pop can exist a nail of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much ameliorate song-mill hooks than 'N Sync or BSB become", also noting that "the great thing well-nigh Oops!, nether the cheese surface, is complex, trigger-happy and downright scary, making her a true kid of rock & roll tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, homo class", commenting that "she's done it over again."[20] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon called the anthology "a masterpiece of sorts not for its message but for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the Us, Oops!... I Did It Over again reportedly sold 500,000 copies in its first twenty-four hour period of release.[62] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest starting time-calendar week sales by a female artist.[66] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 1000000 albums in the United States in its first week.[4] The album roughshod to number two in its 2d week, with additional sales of 612,000 copies.[67] It held this position for fifteen sequent weeks.[68] [69] Past its fifth week of availability, Oops!... I Did It Once again had sold over 3 million copies and had passed 5 million copies by Baronial.[70] On its seventeenth week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The anthology spent eighty-4 weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[74] Oops!... I Did It Again debuted at number eighty-two on the European Elevation 100 Albums, and rapidly peaked at number i;[75] information technology sold over four million copies within the continent, existence certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number two on the U.k. Albums Chart,[forty] selling 88,000 copies in the get-go week of release; it remained in the top five for 4 weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its first week.[77]
Information technology topped the French Albums Nautical chart[78] and the German Offizielle Peak 100, likewise existence certified triple Platinum past the British Phonographic Industry (BPI),[79] double Aureate by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the top xx;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum past the Australian Recording Manufacture Association (ARIA) the post-obit twelvemonth after aircraft 140,000 copies to retailers.[83] [84] Oops!... I Did It Over again opened at number 3 on the New Zealand Albums Nautical chart and was certified Gilt after just one week on the nautical chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did Information technology Once more became the third all-time-selling album of 2000 in the United States, selling seven,893,544 albums co-ordinate to Nielsen SoundScan[87] and fourth all-time-selling anthology co-ordinate to Billboard Year-Terminate of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[89] [90] Also, the album landed at number twenty-seven on BMG Music Club all-time best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 1000000) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the U.s., excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Over again sold 2.five million copies in its get-go calendar week (2d highest first week sales past a female creative person worldwide) and sold fifteen meg copies past the terminate of the year. Information technology was the best-selling female anthology and 3rd all-time selling anthology of 2000. The album has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U Meet (Is What U Get)" and "Can't Make You Dear Me" are "well-nigh identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all See Is What Yous Get" in 1999 to one of Spears' representatives for consideration on a future anthology, though it was rejected.[93] The instance was later dismissed afterwards information technology was ruled that they lacked sufficient evidence and that at that place "weren't enough similarities between the two songs to prove copyright infringement."[94]
Track list [edit]
| No. | Championship | Writer(s) | Producer(southward) | Length |
|---|---|---|---|---|
| i. | "Oops!... I Did Information technology Once again" |
|
| 3:31 |
| 2. | "Stronger" |
|
| 3:23 |
| iii. | "Don't Become Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | four:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | iii:fifty |
| 6. | "What U See (Is What U Get)" |
|
| 3:36 |
| seven. | "Lucky" |
|
| 3:26 |
| eight. | "I Kiss from Y'all" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You At present" |
|
| 4:39 |
| ten. | "Can't Make You Beloved Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| four:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| 4:06 |
| xiii. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Championship | Writer(southward) | Producer(southward) | Length |
|---|---|---|---|---|
| xi. | "When Your Optics Say It" | Warren |
| iv:06 |
| 12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
| thirteen. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| xiv. | "Beloved Diary" |
|
| ii:46 |
| Full length: | 52:33 | |||
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| xiii. | "You Got It All" | Holmes | White | 4:10 |
| 14. | "Centre" |
|
| three:31 |
| fifteen. | "Love Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| i. | "Don't Permit Me Be the Last to Know" (Anthology version) | 3:fifty |
| two. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| iii. | "Don't Let Me Exist the Concluding to Know" (Hex Hector Guild Mix) | ten:12 |
| four. | "Stronger" (MacQuayle Mix Bear witness Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| six. | "Oops!... I Did It Again" (Music video) | iv:11 |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | three:37 |
| nine. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Championship | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | iv:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Again" (Karaoke) | 4:17 |
| v. | "Lucky" (Karaoke) | iv:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Tin't Go No) Satisfaction" is a embrace of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Dark-brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, song engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back cover, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Light-green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, usher, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Yr-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See likewise [edit]
- Listing of best-selling albums
- List of acknowledged albums by women
- List of best-selling albums in the U.s.a.
- List of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did Information technology Again has sold 9,201,000 copies in the U.s.a. co-ordinate to Nielsen SoundScan,[185] with boosted one,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[92]
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- ^ Trust, Gary (May 27, 2012). "Enquire Billboard: Spears, Lovato'due south 'X'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American anthology certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Castilian). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Once again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. Oct nine, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Nippon 2001 Bonus Tracks]". AllMusic. Feb 13, 2001. Retrieved Baronial 31, 2021.
- ^ "Oops!...I Did It Again AUSTRALIA Special Edition due west/Bonus Disc of Remixes And Videos". Record Runner The states . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition motion-picture show vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by twelvemonth. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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